Tag Archive for: Arts Council England

New client: The Bureau for the Arts, Blackburn

The Evaluator is delighted to be starting a new evaluation; Chip In. Isn’t that a great name? Northern, does what it says, and everyone loves chips!

Helping people, building community, changing lives!

Chip In is a place- based project which aims to engage and mentor young people aged 16-30 in volunteer opportunities across Blackburn with Darwen’s arts, culture, sport, heritage and environment sectors over the next two years. The Project aims to break down barriers which young people face in volunteering, bring together opportunities and build skills, confidence and community.

The Bureau Centre for the Arts is among over 160 organisations across arts, culture, sport, civil society, youth, and heritage sectors to benefit from the £4.6 million Volunteering Futures Fund.

Chip In (formerly Volunteering Now) is our two year volunteer partnership programme for young people aged 16-30. We have teamed up with a range of local partners in the borough to provide opportunities for volunteering in a range of areas such as events, music, project development, admin, exhibition invigilation, workshop support, stewarding, curation, collection handling, supporting youth sessions, social media and blogging, food growing and much more!

You can see more about the project here or read more about Volunteering Futures here. 

Learning about data; Working with qualitative data

From time to time, we share a director’s blog post, where we share some learning about how to use your data (information) better. This is a post all about how to use qualitative data, that’s the information that is made up of words rather than numbers.

The chances are that your organisation already has a bank of this data but it may not be well organised and easily accessible. Below is a list of some of the many ways you might have collected qualitative data, possibly without realising it.

How credible is your qualitative data?

There is a distinction between primary and secondary data and it’s important to understand what you have collected as the credibility differs between the two.  Primary data is more credible and robust.  It is the data that people told you or have written themselves.  Secondary data is that which is overheard in discussion or something that someone has heard and told you about.

To check the credibility of your secondary data, you can apply the Rule of 3. If you’ve heard it from 3 different places or if it’s come from 3 different people independently then it can be considered as credible and representative of a thought or opinion.

How to make the qualitative data more usable? 

We use word or phrase frequency analysis to evaluate our qualitative data to look for patterns of frequency of words to identify common themes.  This can be done online using free tools, like this one,  and they just count the words for you.  We often use the top 10 words or phrases.  You can also use the ratio of positive to negative words that are used or how far down the feedback the first negative word appears.  Using these methods helps to quantify data and make it more digestible and can be used in marketing or to track changes over time.

Mind maps can be useful to illustrate and develop on the themes identified. You can just draw these freehand to have a look at what the main themes are.

Word clouds provide a visual representation at a glance of the qualitative data and this is also a resource that can be sourced freely online.  The most common words appear the biggest in the cloud, making this data easier for the reader to understand visually.

Top tip – try to be objective, it can be hard to hear negative comments but it is how we improve and know what to fix, and they’re often in the minority compared to positive comments.

How to use and share qualitative data?

This data can be used in many different ways:

We also use qualitative data to create case studies which illustrate people’s journeys and direct engagement.  Case studies can be shared at board level and to show case your project’s work for marketing purposes.  Case studies appeal to a wide audience and are particularly useful in attracting funders as voices are recorded and reflected in these studies.

In our experience as evaluators, a case study from a project that we evaluated got shared with funders (Green Recovery) who sent it on to The National Lottery Heritage Fund who then sent it on to the Department of Work and Pensions.  Case studies are impactful in that they record real voices and can attract publicity and raise awareness of change.

 

If all of this sounds like too much work and you don’t have time, get in touch. We are happy to have a chat about your individual requirements and to see how we could help.

Thanks to all our 2022 clients!

Images of all our client logos - there are a lot including national trust, wildlife trusts, in-situ, county councils and more

Huge thanks to all our 2022 clients, many of whom we will still be working with in 2023 and beyond.
The office is closing for Christmas on Thursday 22nd December and will reopen refreshed and renewed on Tuesday 3rd January.

Happy holidays to all.

Kirsty and all at The Evaluator

New Evaluation: Green Loop

The Evaluator is delighted to be working with a new client, Fylde Borough Council on their arts and environment project; Green Loop. Based around Lytham St Anne’s, Green Loop as a name was inspired by the idea of creatively re-using the waste products which wash up on the shore.

There are three parts to this project including a new Eco-Market taking place at Fairhaven Lake, running with eco-friendly makers and crafts people and curated by Hopeful & Glorious. It has been really nice to work with Heather from Hopeful & Glorious as we worked together many years ago when both of us were working in Arts Development in Lancashire. Hopeful & Glorious curate many high quality events, and you can see more about them on their website here. 

Environmental artist Nerissa Cargill Thompson, is both creating an artist commission and working with a group of volunteers to take part in a 12 week programme to learn how to become an environmental maker with a creative business. That’s a journey of discovery for sure! We will enjoy writing about that as creative business is one of our particular interests.

Nerissa describes her work as:

Exploring change over time, not just eroding or decaying but new layers of growth, giving juxtapositions of structure and colour. Recent mixed media sculptures combine embellished textiles and cement cast in plastic packaging to highlight the legacy of disposables. Naturally inspired textures emphasise the way our waste becomes subsumed into the natural world around us.

Images of recent works can be seen on her website here. 

This project is run by Fylde Borough Council whose website is here, and the project is funded by Arts Council England.